Flute repertoire 1600 - 1700

Parts and score. The fourth flute may be played on the alto flute alternatively.

Originally for bass viol. This edition for flute is from Hans-Peter Schmitz. It is one of the most often played pieces for flute solo, the flutist selects a personal program of variations for the concert, all of them is much to long.

Partitur und Stimmen. Den kurzen Stücken sind keine Tempoangaben vorangestellt.

One of my favourites since many years.

Aus einem Manuskript mit 24 Konzerten von 1725. Partitur und Einzelstimmen.

Old edition with parts and score. Beautiful, for example for service.

The order number belongs to the score. A separate flute part is not available. The strings are separately available: Violin 1: ANT127-11, Violin 2: ANT127-12, Viola: ANT 127-13 und Cello/string bass: ANT 127-14

The strings include three times the first violin, three times the second violin, three times the viola and twice bass or cello.

Very easy piano part.

The continuo part is highly romantic set and thus hard to endure.

Edited by Louis Moyse. My version has an error, the fourth mouvement is included twice.

Der kurze Einleitungstext von Ulrich Thieme gibt Hinweise zur Ausführung der Verzierungen und anderen Stilfragen.

Gemeinsame Partitur.

Erstmals erschienen im Eigenverlag Telemanns im Jahr 1727.

Cantata for the third holiday of Easter

First edition in 1730 in Paris

All of them just beautiful.

Very, very beautiful

Cantata for Epiphany

This is only the score. The parts are available in a separate edition.

Das ist die Partitur, Sätze für Streicher und Solisten jeweils separat erhältlich

First edition after 1739

The continuo part ist by Willy Hess

Only score, no parts.

Score, no parts.

Das ist nur die Partitur, Einzelstimmen separat erhältlich.

These sonatas are called "methodical" due to the detailled explanations about ornaments by Telemann.

The orchestra parts include three times the first violin, three times the second violin, two times the viola and three times bass or cello. The score has to be bought separately.

The parts include each of the violins three times, the viola and the cello/bass each twice and one part for each of the winds (flute, flute, bassoon)

First and second flute in one score, third and fourth too. Each score only included ones. Thus you have to buy two editions or to make illegal copies if you want to practices this. What a pity.

Originally for four violins and in D major.

Parts and score

Partitur und Stimmen. Im zweiten Satz hat das Horn nichts zu tun.

First edition 1741

Menuett und Badinerie hieraus kennt wirklich jeder. Ein absoluter Klassiker.

One of my favourite sonatas. Also nice played in trio: flute (solo part), flute (right hand of the piano part) and bassoon.

This edition doesn't work with the orchestral parts of the Breitkopf edition.

Zwei Partituren.

Einzige Triosonate für die Bachs Autorentum gesichert ist. Ursprünglich vermutlich mit zwei Violinen besetzt.

Ona of my all-time favourites.

Probably written in Köthen around 1722. This is the only piece for a solo wind instrument by Bach.

parts

Score

The original instrumentation of this work is unknown. The authorship is witnessed by Carl Philipp Emanuel Bach, who wrote the copy found in the Berlin library.

Score and parts, unfortunately the parts are printed on the front and back of the same paper, thus you are urged to make illegal copies.

In my opinion one of the most beautiful sonatas by Bachs.

Achtung: das ist die Solo-Partita mit einer Klavierbegleitung.

Authorship of this trio sonata is not clear, might also be written by one of the sons, probably by Carl Philipp Emmanuel Bach. This edition is a reconstruction of the original version.

Die Bearbeitungen des Cembalo-Werkes erfolgte durch Maximilian Schwedler.

Double bass part of the string group

Viola part of the string group

First violin part

Second violin part

Harpsichord part

This is the score. The parts for the orchestra are available separate.

The instrumentation is a bit complicated to describe. It is a quartet for flexible ensemble. Any part is given for c, h flat, e flat and f instruments. The two lower parts are included in treble clef and bass key.

Quite beautiful choral adaptation for a variety of instrumentations.

Parts (including flute and harpsichord as well as three times the strings) and score

New edition of the 24 transcriptions for flute solo of works by Bach arranged by Schindler (1896)

Partitur und Stimmen des bekannten Chorals "Jesus, meine Zuversicht"

Transcription of the organ Prelude and Fugue from the series by the Berlin Bach Academy (Heribert Breuer). The woodwinds are the soloists, violin parts are included three times each, viola and cello twice each. the score is also part of the bundle.

Parts of the orchestra are available from the same edition.

Partitur und Stimmen

Parts and score, only one movement, without tempo information

Partitur und Stimmen

Score and parts. Originally for harpsichord.

Die Echtheit dieser Sonaten ist umstritten.

To be played alternatively with a flute orchestra (6 parts). All parts and a score are included. The bass flute part may be played with alto flute or flute. For the flute orchestra version there is a double bass part additionally.

Score and four parts.

The first and the last movement are from a piano piece, the middle movement is not connected to the two others and was chosen by the editor.

One of the "Halle Sonatas"

Ausgabe von 1935 nach einer Handschrift aus der Erzbischöflichen Bibliothek in Paderborn.

Parts and score

Partitur und Stimmen

First and second movement I did play. Both are easy to play, nice music and possible to do with organ accompaniment.

The 12 Sonatas were first printed 1712 by G. Sale in Venice

First edition in Paris 1731

Not so difficult and very beautiful...for example for the service in church.

Based on a original print at the scientific library at Schwerin

Die Flöten- und Bass-Stimme sind in Partitur geschrieben. Diese Partitur liegt zweifach bei. Zwischen beiden Stimmen sind Artikulationen, Dynamik und Phrasierungen als Vorschläge eingetragen. Das ist eine unaufdringliche Art der "Bearbetiungen", ich fand das sehr intelligent gelöst. Die Bassstimme erlaubt ein Mitlesen und erleichtert so das Zusammenspiel. Die beiden schnellen Sätze fallen durch vielseitige Rhythmik auf (Überbindungen, Triolen, Sechzehntel). Ich fand das sehr schön, Barock aber mal ganz anders.

There is a score for the orchestra with single parts for each instrument or a complete set for orchestra, everything at Sikorski.

Might be the only composition by Tartini where not the violin is featured.

The handwriting was found in the Royal library in Copenhagen.

Only score, no parts.

Written in 1759

Eine gemeinsame Spielpartitur. Ersterscheinung 1748, 1756, 1760 bzw. 1763 in London.

Barock von seiner besten Seite, harmonisch teilweise seiner Zeit voraus und rhythmisch sehr vielfältig.

Zwei Partituren.

Ich liebe Locatelli. Nicht ganz einfach, gut gesetzt und einfach sehr schön.

Erschienen 1725.

In Partitur. Erstausgabe 1746 in London.

Zwei Einzelstimmen.

Größtenteils fugenartig, beide Stimmen gleichberechtigt. Als Teenager waren das meine absoluten Lieblingsduette.

Zwei Einzelstimmen.

Für mich die schönsten Duette aus Quantz' Feder. Beide Stimmen durchaus gleichberechtigt, nicht in Terzen sondern in Form einer Fuge gesetzt.

In Partitur gesetzte kürzere Sätze, beide Stimmen häufig parallel geführt.

Kurze, einfache Stücke, herausgegeben in einer gemeinsamen Spielpartitur.

Partitur und Stimmen.

Komponiert vermutlich zwischen August 1726 und März 1727 auf einer Bildungsreise in Paris.

Nur Partitur, keine Stimmen. Groß gedruckt und darum gut lesbar. Nur im letzten Satz muss geblättert werden.

This edition is made from the first print, to be found at Bavarian National Library

First edition in France in 1738